@ : Head Palace Music Album Assessment3 min read
With Bandcamp as their roadmap to discovery and YouTube as their confessional, artists like Soccer Mommy, Clairo, and Jay Som represent a new breed of bedroom-pop musician: introverts who sing confessional lyrics into their Macbooks although turning hazy guitar melodies into earworms. And at initially, @, the duo of Philadelphia guitarist Victoria Rose and Baltimore musician Stone Filipczak, look to drop into that camp as very well. As artists destined to collaborate but divided by 100 miles of highway, they swapped song suggestions over iMessage in advance of determining to sign up for forces—virtually, of course—to record a joint album from their respective bedrooms. But in seem, their audio has an aged-university experience rooted in acoustic guitar and wealthy vocal harmonies, sounding a small like ’70s-impressed teens hung up on the Mamas & the Papas. Initially introduced in 2021 and now reissued by Carpark, @’s debut comprehensive-duration, Mind Palace Songs, offers a tidy 50 percent hour of raw folks-pop straight from the coronary heart.
The most placing top quality of @’s tunes is also the most human one particular: their voices. The imperfectness of their singing is akin to Animal Collective’s exuberant tone on Sung Tongs, or the pristine vocal harmonies of lady groups like the Chordettes or the Ronettes if somebody slid them a glass of scotch to get the edge off. Filipczak enunciates just about every word and sings with a slight, superior-pitched lilt that, in flashes, recalls John Lennon, supplying a track like “Major Blue Empty” the uncanny air of a Beatles demo. Rose counterbalances with a warm, pure timbre, and the urgency of her shipping resembles feelings effervescent up. When compared to her solo perform as Brittle Brian, specially past year’s Biodiesel, she sounds unburdened as she draws out notes in “Star Game” or “My Yard.” The duo’s vocal harmonies are at when total bodied and sensitive, off-critical and in tune, merry and forlorn. On the opening “Parapet,” Rose and Filipczak’s evocative vocal harmonies are paired with fluttering piano in a way that beautifully captures the visceral experience of relentless longing.
At a time when most bed room pop feels tethered to the on-line environment, @ are creating new music that cuts the ethernet cable, no subject what their alias and origins might suggest. Each instrument on Mind Palace Audio sounds perfectly beloved from yrs of jamming, lending the album an intimacy akin to the silent appears of a friend executing a tune just for you: the excitement of a string vibrating against a fret, the hum of a microphone turning on, the tingle on the back of your neck when two voices intertwine. That human contact is audible in the spritely acoustic guitar and comfortable thumps of bongos on “Letters,” or the even-keeled flute in “First Journal.” Even though the impact of cult favorite Vashti Bunyan is audible on the album’s very best solitary, “Friendship Is Frequency,” the rustic tone of the duo’s guitar and Irish minimal whistle provides a personable, still left-field signature of their possess.