July 19, 2024

FCityPotraits

Without Art It's Really Boring!!!

Philadelphia’s top and most defaced murals

9 min read
Philadelphia’s top and most defaced murals

In a city where walls speak with color, Philadelphia’s vibrant murals tell a tale of history and culture that’s unmatched. Guided by the visionary efforts of Mural Arts Philadelphia, these artistic expressions have become a defining feature of the city. And thanks to both the artists and community, Philly earned its title this summer as the best city for street art, according to USA Today.

Mural Arts Philadelphia, formally known as the Philadelphia Anti-Graffiti Network, was established in 1984 as a city-wide effort to combat vandalism and support urban creativity. Led by Jane Golden, it transformed the talents of graffiti artists into a force for beautification and unity.

The organization has been a part of countless initiatives to not only support local artists, but also inmates, individuals struggling with substance abuse, at-risk youth, and even children in foster care.

Since its inception, it has led to Philadelphia becoming the “Mural Capitol of the World”, producing over 4,000 murals, actively engaging local communities, and using art to promote social change. 15,000 residents and tourists visit the outdoor gallery each year.

Today, these murals stand as a symbol of Philadelphia’s thriving cultural identity. But, while narrating the city’s diverse and intricate story, these canvases have presented opportunities for defacement. Mural vandalism, an issue that has historically cost Mural Arts approximately $60,000 annually, saw a surge in their fiscal year of 2023, with a 12% increase in vandalism from the previous year, affecting over 50 mural sites.

According to Golden, many of these cases are simply graffiti tagging and can become more evident for murals that are in more discrete locations, like under bridges or in dark areas. Since COVID, there has been an increase in graffiti tagging around the city, but Golden would like to find a solution to this problem in the near future.

“I feel like this is very familiar territory to me. And I feel that there’s a way to deal with it that isn’t just about investing more and more money just to white out graffiti. I see why the city does it and I commend the clip program. I think they do really good work. But I’d like to do something else,” said Golden.

Golden hopes to expand art education as the organization approaches its 40th anniversary in 2024.

As these dynamic works of art continue to reflect both creativity and controversy, join us as we explore the most celebrated and the most vandalized murals, painting a picture as complex and colorful as the ‘City of Brotherly Love’ itself.

By Steve Powers | 2010 | Market Street from 46th to 63rd streets

This 50-mural project which was done in 2010, can be glanced upon from the Market-Frankford line. Painted by Steve Powers, a West Philadelphia native, this fascinating and continuous love story between a boy and a girl speaks with colorful typography and animation. The popular mural series reads phrases such as “Forever begins when you say yes,” and “If you were here I’d be home now.” These can be viewed as you ride the subway, providing each resident with their own love letter. 

2 large murals on the side of neighboring buildings
Part of Steve Powers’ ‘A Love Letter For You’ mural series. (Adam Wallacavage, Courtesy of Mural Arts)

By Felix St. Fort & Gabe Tiberino | 2021 | 2201 College Avenue

In 1965 Cecil B. Moore, president of the city’s NAACP chapter, and a group of young activists organized protests to desegregate Girard College. The school was situated in a predominantly Black neighborhood. Their mission was eventually successful, giving those in the community a fair right to attend their local institution. Today, their devotion to civil rights and equality is paid to dedication in a mural on College Avenue and 22nd Street. In 2021, Felix St. Fort and Gabe Tiberino paid homage to their efforts by depicting Cecil B. Moore, and black and white images depicting the renowned protestors and activists of Philadelphia. In its background, you can see 10 adinkra symbols, modern-day Ghanaian visual symbols that represent different concepts. The Freedom Fighters chose ten to represent the values that they stand by: Knowledge, Unity, Perseverance, Power of Love, Fortitude, Service, Democracy, Justice, Excellence, and Encouragement.

A large mural painted on the side of a building
Painted in 2021, the Cecil B. Moore Philadelphia Freedom Fighters mural, is one of Mural Art’s most powerful salutes to civil rights activism (Brianna Hill/WHYY)

By Meg Saligman | 1999 | Broad and Spring Garden Streets

This timeless mural is one that can’t be missed as you hit the intersection of Broad and Spring Garden Street. Completed in 1999, the mural reveals a group of young adults, many of whom are posing as historical figures, and others simply looking into the distance with optimism. The wall was one that Saligman always wanted to paint when she began to do art in the city, and she used photographs of students who attended the Philadelphia High School for the Creative and Performing Arts as a reference.

In the center of the mural stands a young African American girl, a larger-than-life figure dressed in pink. And aside from her being the centerpiece, her aura radiates with poise and confidence. Today, she still leaves quite an impression on visitors and even Saligman:

“There was this one young lady who was walking down the hallway and she just had such a presence about her. And I said, “Would you like to pose?” And I was having the students take the same pose as the figurines. And she said, “Yeah, I’d like to pose, but I’d like to take my own pose.” And her name was Tamika, and she took her own clothes and she became the center of the mural, I’ve heard her refer to as the ‘Mona Lisa on Broad Street.’”

A large mural painted on the side of a building
Common Threads by Meg Saligman sits in North Philadelphia, painted on the side of the Mural Lofts apartment building (Brianna Hill/WHYY)

By Kent Twitchell | 1990 | 1234 Ridge Ave.

At the corner of Ridge Avenue and Green Street, there’s a man on a wall, and he’s three stories tall. That man is none other than Julius Erving, the 6’7″ athlete who played for the Philadelphia 76ers for 11 years in the late 1970s and 80s. The wall was painted in 1990 by Kent Twitchell, a California-based artist well known for his portraits and attention to detail. During this time, Mural Arts’ founder Jane Golden wanted a “breakthrough mural” that would speak to the evolution of the organization, and its contributions to the city, she told Mural Arts. Dr. J can be seen standing tall in a tan business suit, with brown shoes, eyeglasses, and a gold bracelet on his right wrist.

The essence of this mural continues to speak to his legacy, not only as a basketball player but as a mentor and role model. According to their site, Dr. J’s mural was so respected that it was used in another student-painted mural on the Spring Garden Street Bridge that depicted urban life.

A large mural showing Dr. J on the side of a building
Dr. J by Kent Twitchell, created in 1990 is located at the intersection of Green Street and Ridge Avenue (Brianna Hill/WHYY)

By Cesar Viveros and Parris Stancell | 2004 | 3049 Germantown Ave. / 3065 Germantown Ave.

In 2002, Mural Arts Philadelphia partnered with the State Correctional Institute in Graterford, Pa. to teach art classes and work with both inmates and victims. “We worked with crime victims and victims advocates over a two-year period of time, and we would talk together about the impact of crime on communities and how we heal together,” said Golden. After a two-year period, and with the help of artists Cesar Viveros and Parris Stancell, the program brought life into two separate murals, depicting the battles that both victims and inmates face while attempting to transform the cycles of crime in their neighborhoods and in their own lives.

A large mural painted on the side of a building
Healing Walls (Inmate’s Journey) by Cesar Viveros and Parris Stancell, painted in 2004, is on the side of a residential building in Glenwood, Philadelphia. (Brianna Hill/WHYY)

“All of it shines a light on our difference and distinction, which is wonderful but underscores a human our common humanity. And that is something that I think is unique to art,” said Golden.

A large mural painted on the side of a building
Healing Walls (Victims Journey) by Cesar Viveros and Parris Stancell, painted in 2004, sits adjacent to its sister mural in Glenwood, Philadelphia. (Brianna Hill/WHYY)

By David McShane | 1997 | 2803 N. Broad Street 

In 1972 the legend that broke the color barrier in major league baseball passed away, but on January 1, 1997, he and his legacy were immortalized right here in North Philadelphia. Illustrated by David McShane, the mural shows Jackie Robinson sliding into home base. This mural was one that inspired many, including those who lived close to it. Jane Golden recounted the feelings expressed by a woman who occupied the house.

“And then Ms. Porter would say to me, because we always stay in touch with people over the years who we work with. She’d say, Jane, every day I come out of my house and I see Jackie is a day I know my potential,” said Golden.

The painting which was requested by the Phillies, continues to speak volumes to and reflects upon the struggles and achievements of a man who fought on and off the field for people of color.

“The power of that mural, the power of potential, the way he fought racism, the way he sort of broke through. I mean, in spite of such just like so much hardship, so much racism coming his way, that sliding into home. It’s like this victory,” said Golden.

 

A large mural, showing Jackie Robinson stealing home on the side of a building
Jackie Robinson by David McShane sits on the side of a local residence at the intersection of Somerset Avenue and Broad Street. (Brianna Hill/WHYY)

By Meg Saligman | 2001 | Delaware Ave. and Spring Garden St. (visible from the Ben Franklin Bridge)

After the attack on 9/11, both our nation and city were left in disarray. Shortly after it happened, Meg Saligman decided to dedicate a mural to those who needed comfort in the wake of such a tragic event. The mural was painted on the south wall of the Philadelphia Warehousing and Cold Storage building and can be viewed from the I-95 highway. The flag, which is meant to convey both pride and pain, was a time-sensitive mural that was only supposed to be up for six weeks, however due to its impact on the community, it has remained the past 22 years and was even restored in 2016.

A large mural painted on the side of a building
Our Flag Unfurled by Meg Saligman, completed in late 2001, is located in the Northern Liberties neighborhood in Philadelphia. (Brianna Hill/WHYY)

By David McShane | 2015 | Adjacent to the Walnut Street Bridge (between 23rd and 24th on Walnut)

Nothing says Philly Pride more than our beloved sports teams, and in 2015 David McShane, the renowned sports muralist and Phillies enthusiast, paid homage to the Phillies, a team that has now been embedded in Philly culture for 140 years. This vibrant artwork captures the zealous energy of fans while symbolizing the team’s importance to Philadelphians. It binds together legendary players, stadiums, and historic moments, chronicling the franchise’s enduring legacy as the oldest one-name, one-city team in professional sports history.

A mural showing the Phillies
The Phillies Mural, completed by David McShane in 2015, sits in center city for locals to view from the Walnut Street bridge and parts of Schuylkill Banks. (Brianna Hill/WHYY)

By Amy Sherald and Philly Mural Arts Program | 2019 | In the parking lot at the Target Store at 1108 Sansom St.

Amy Sherald, the Georgia native best known for her legendary portrait of Michelle Obama, took her talents to Philadelphia in 2019. She teamed up with Mural Arts and young local artists who were a part of the organization’s education program, and Sherald ended up using one of the young artists, Najee S., as her mural subject. Using her signature style of grey skin tones and bold bright colors, the mural challenges the social constructs of black identity. Her portrait now sits six stories high above a target in Center City.

This mural was more than just another artistic addition to the city for Jane Golden. “And it was inspiring in a big way because for me, having a young woman of color at 11th and Sansom eight stories tall, sort of speaks volumes about who we are as a city. Sometimes, if I’m near there, I just go by and stare at it because it’s so beautiful,” said Golden.

large mural of a young woman
Untitled Amy Sherald mural. (Steve Weinik, Courtesy of Mural Arts)

By Keith Haring | 1987 | 22nd and Ellsworth St.

During his lifetime, Keith Haring revolutionized art with his iconic and accessible style that bridged high art and pop culture. His commitment to social activism through art, addressing issues like AIDS and injustice, further cemented his legacy as a boundary-breaking artist. According to Mural Art’s site, We The Youth stands today as the “only Keith Haring collaborative public mural remaining intact and on its original site.” The mural, which is located on the west-facing wall of a rowhome in Point Breeze, Philadelphia, conveys Haring’s distinctive style marked by its iconic simplicity, vibrant colors, and dynamic figures in motion. The mural was completed in 1987 by Haring and later restored in 2013. It continues to highlight the importance of diversity and unity within our community.

Vibrant Keith Haring mural
Keith Haring’s We The Youth mural in South Philadelphia. (Steve Weinik, Courtesy of Mural Arts)

Copyright © All rights reserved. | Newsphere by AF themes.