July 18, 2024


Without Art It's Really Boring!!!

Portland Museum of Artwork receives images collection that ‘puts us at another level’

7 min read
Portland Museum of Artwork receives images collection that ‘puts us at another level’

The Portland Museum of Art has been given a assortment of additional than 600 photos, together with operates by environment-popular 20th-century photographers, that the museum thinks will completely transform it into a destination for the artwork type.

The reward from photographer, philanthropist and collector Judy Glickman Lauder includes photographs by Berenice Abbott, Diane Arbus, Richard Avedon, Margaret Bourke-White and Gordon Parks.

“This selection puts us at a further level,” mentioned Mark Bessire, museum director. “We’ve often carried out (photography), but this just leverages the do the job we are executing and allows us just take off. This (collection) could have gone any place, but it is coming below.”

Glickman Lauder, who could not be arrived at for an interview, has residences in Cape Elizabeth and on Wonderful Diamond Island and a longstanding affiliation with Rockport’s Maine Media Workshops. She serves on the museum’s board of trustees and is a properly-regarded photographer in her personal suitable, with do the job hanging in popular museums about the world, which include the Whitney Museum of American Artwork in New York Town and the J. Paul Getty Museum in Los Angeles.

She is offering the PMA the assortment, which involves some of her personal get the job done, as a “promised gift,” which usually means a pledged donation at some specified upcoming date, despite the fact that the museum already has the assortment on website. The museum declined to say how substantially it is value.

Libby Bischof, a historical past professor at the College of Southern Maine who specializes in the heritage of pictures and has co-authored a book on Maine images, was psyched to learn about the donation last week.

“Six hundred photos from artists of this caliber will be unbelievably important not just to the museum but to the condition,” claimed Bischof, who transpired to be sitting down in USM’s Glickman Family Library, named for a former donation of much more than $1 million from Glickman Lauder and her late husband, Albert Glickman. (Numerous years immediately after Glickman died, she married Leonard Lauder, also a philanthropist and art collector.)

The truth that Glickman Lauder and many others, like Maine artwork patrons Paula and Peter Lunder, chose “to situate their significant private collections of deeply important and impactful do the job in a state which is meant so considerably to them and so a great deal to American art alerts to other patrons, collectors and practitioners that Maine is a place in which their work can also stay,” claimed Bischof, who also serves as government director of the Osher Map Library and Smith Heart for Cartographic Schooling at USM. “It seriously seeds that work and Maine’s continued great importance in American images.”

The museum sees the collection, alongside with an eventual expanded campus many thanks to its acquire of the former Children’s Museum & Theatre of Maine, as key to its upcoming growth.

“Glickman Lauder’s gift enables the museum to assume broadly about the up coming chapter of PMA heritage, precisely about how we can produce open up experiences with artwork, increase and diversify our assortment, and open new and dynamic community-centered areas that welcome our myriad communities,” museum spokesman Graeme Kennedy wrote in an email.


Museum website visitors will have a possibility to see a collection of the images in Oct, when the museum is scheduled to mount a big exhibition, “Presence: Pictures from the Judy Glickman Lauder Collection.” It earlier showed some of these functions about a dozen decades back, Bessire explained, but given that then the collection has “probably doubled in measurement, and it is still rising.”

The exhibition will be curated by Anjuli Lebowitz, the museum’s newly hired, inaugural Judy Glickman Lauder Associate Curator of Pictures.

Anjuli Lebowitz, the new Judy Glickman Lauder Associate Curator of Photography, demonstrated at her property, states, “For a very long time, the verdict was that photography was not artwork,” but Glickman Lauder wasn’t anxious with that debate. Brianna Soukup/Workers Photographer

Glickman Lauder commenced collecting images in the 1970s, Lebowitz mentioned, a time when the current market for photos was exploding as collectors endeavored to generate a respected self-discipline.

“Matching shots to specific creative actions was a key topic at the time for the reason that they had been attempting to justify photography as art. Mainly because of its mechanical nature, with photography, there was usually a huge hang-up about irrespective of whether or not it could be artwork,” Lebowitz described. “For a extended time, the verdict was that photography was not art.”

Just one of the factors Lebowitz finds so powerful about this selection is that Glickman Lauder was not concerned with that debate. A lot of collectors at the time had been wanting only for the “best” pictures, Lebowitz explained.

“Judy is also on the lookout for ‘What are the best photos?’ but she is also hunting for images that transfer her. She is not looking to fill in gaps – ‘I require just one image from this artist and one particular picture from this movement’ – which is not the worry. Nonetheless, she has remarkable images that are element of the canon, but she provided them due to the fact they go her, since she connects to them, and I imagine that’s a definitely unique approach to forming a large selection like this,” Lebowitz reported.

Bessire underlined that point.

“One of the most enjoyable factors for us is that she is a photographer herself,” he mentioned about Glickman Lauder. “It’s attention-grabbing to see what another person guiding the lens collects. A photographer provides to collecting a distinct eye and a unique way of seeking at images. Her eye goes to images. She’s quite democratic in her alternatives. Just because someone is not well recognised doesn’t signify it’s not a gorgeous picture.”

The collection encompasses will work “by vital contributors to the medium’s history” whose names are fewer common to the standard general public, such as Graciela Iturbide, Lotte Jacobi, Alma Lavenson and Ben Shahn, the museum stated in a news launch.

Maine Media Workshops + College President Mark Mansfield explained individuals and other photographers highlighted in the collection as “the canon of photographic historical past.”


Bessire mentioned the selection facilities on visuals shot by pioneering woman photographers, images of American civil rights struggles, photos of the style and superstar worlds and pictures that depict the legacy of the Holocaust and of war. (Glickman Lauder is known for her possess book, “Beyond the Shadows,” showcasing photos she shot about a few a long time of concentration camps, camp survivors and the Danes who risked their lives to preserve Danish Jews in the course of Globe War II.)

Irving Bennett Ellis, father of philanthropist and collector Judy Glickman Lauder, created this 9- by-7-inch, double-exposure gelatin silver print of Glickman Lauder’s mom, Louise Ellis, circa 1936. It is section of the Judy Glickman Lauder Selection. Graphic courtesy of Luc Demers

In a release announcing the gift, the museum bundled various pics that “really display the toughness of the selection,” Lebowitz stated. One particular exhibits a double publicity of Glickman Lauder’s mother, Louise Ellis, that was shot by her father, Irving Bennett Ellis, a physician and a well-known photographer himself. Lebowitz explained it as an “incredible composite portrait displaying distinct psychological states of Louise Ellis.”

Yet another is “American Gothic,” a photograph by the celebrated African American photographer and movie director Gordon Parks. It depicts Ella Watson, a charwoman at the federal Farm Safety Administration office where by Parks was performing at the time, in a pose modeled immediately after the Grant Wooden painting of the identical title. Rather of a pitchfork, Watson is shown with a mop and a broom alternatively of a farmhouse in the history, there is an American flag.

“Judy has a really powerful social justice streak, and that picture is so well-known and so amazing and by a single of the most significant photographers of the 20th century, but I also love that it was a collaboration with the topic, Ella Watson,” Lebowitz claimed. It’s a person of a sequence of almost 100 prints that Parks created with Watson. “And it so succinctly will make the position that we as a place can do superior. It reveals both of those like of nation and a rightful criticism as effectively,” she explained.

Photographed by Richard Avedon, Audrey Hepburn and Art Buchwald, with Simone D’Aillencourt, Frederick Eberstadt, Barbara Mullen and Dr. Reginald Kernan, at Maxim’s in Paris in August 1959. A gelatin silver print, 19½ by 29 inches. “Talk about a photograph with wow ability,” reported Portland Museum of Art Director Mark Bessire. Richard Avedon

A third, by trend photographer Richard Avedon, is shot at Maxim’s in Paris and demonstrates actress Audrey Hepburn and humorist Art Buchwald.

“I think it really captures the spirit of the collector, as (Glickman Lauder) is fairly exuberant and enjoyable as properly,” Lebowitz mentioned. “The presence of pleasure and surprise is actually why the collection is so exclusive, and why I’m so content it is here and that I have arrive to Portland to work with it.”

Lebowitz has worked in these huge town museums as the Philadelphia Museum of Art, the Metropolitan Museum of Artwork in New York Town, and the Countrywide Gallery in Washington, D.C. A assortment like that of Glickman Lauder has a considerably more substantial effects on a more compact establishment, she explained.

“Even 600 pictures can be swallowed up when you are chatting about a bigger location that has 50,000 pics. In this article it can have delight of location,” she mentioned. “It really is the star of the show.”

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